Ms. Lambert has been invited to participate in the Florence Biennial and is seeking sponsors
Exhibition/Publication:
My work has been curated into a hardcover art book now available in bookstores:
International Contemporary Masters 2010
My work is also on display at the Southern Nevada Museum of Fine Art
The Exhibition was from April 17 through June 5, 2010. The pieces titled Echoing fields, Artofficial landscape, and Flip your lid are now installed in the museum's permanent collection.
Doppelganger, 48" x 48"
mixed media in a light box
Selected Exhibitions:
What: New and Improved II, LA Center for Digital Art (LACDA)
When: October 8-31, 2009
Exhibition/Publication:
My work has been curated into a hardcover art book now available in bookstores:
International Contemporary Masters 2010
My work is also on display at the Southern Nevada Museum of Fine Art
The Exhibition was from April 17 through June 5, 2010. The pieces titled Echoing fields, Artofficial landscape, and Flip your lid are now installed in the museum's permanent collection.
Doppelganger, 48" x 48"
mixed media in a light box
Selected Exhibitions:
What: New and Improved II, LA Center for Digital Art (LACDA)
When: October 8-31, 2009
Echoing Fields 42" x 42"
2009, Mixed Media, signed limited edition of six
It is common knowledge that (for all of the usual reasons) artists often become pigeonholed in a particular style, or that the ever present curatorial "trend," "theme" or "concept" can become somewhat tyrannical in terms of dictating the way in which artworks take shape. For this exhibit LACDA curator Rex Bruce invited selected artists to try something new or show some un-exhibited work that they would like to have seen. In one sense the exhibit is curated, in that the artists for the show were selected, and in another it is self-governing in that the artists were allowed to choose the works they wish to show. The only influence would be that this choice came with a healthy dose of encouragement to experiment.
In this spirit of experimentation this show is also an inversion of the practice whereby a gallery doles out wall space to the precious few, thus shortchanging artists as well as their audience the experience of the vast wealth of creativity our global culture in fact produces. A very large group exhibit allows more variety and vibrancy and makes a more accurate representation of the massive quantity of art that exists in the contemporary moment. This is especially true for a digital gallery that aligns itself with the electronic free-for-all that constitutes our time; a world replete with social networks, mobile communications, ubiquitous cameras, ubiquitous editing software, uploads, downloads, blogs, vlogs and the extremely open and rapid-fire discourse they engender.
In this spirit of experimentation this show is also an inversion of the practice whereby a gallery doles out wall space to the precious few, thus shortchanging artists as well as their audience the experience of the vast wealth of creativity our global culture in fact produces. A very large group exhibit allows more variety and vibrancy and makes a more accurate representation of the massive quantity of art that exists in the contemporary moment. This is especially true for a digital gallery that aligns itself with the electronic free-for-all that constitutes our time; a world replete with social networks, mobile communications, ubiquitous cameras, ubiquitous editing software, uploads, downloads, blogs, vlogs and the extremely open and rapid-fire discourse they engender.
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What: Intuitive Eye: The Diana Zlotnick Collection
Curator: Dennis Reed, Dean Fine, Performing & Media Arts
When: February 18 - March 26, 2009.
Where: Art Gallery, Los Angeles Valley College
What: Intuitive Eye: The Diana Zlotnick Collection
Curator: Dennis Reed, Dean Fine, Performing & Media Arts
When: February 18 - March 26, 2009.
Where: Art Gallery, Los Angeles Valley College
"Slipping" to the left of a Wallace Berman piece, viewed by Diana Zlotnick.
"The San Francisco Museum of Modern Art has named Diana one of the leading art collectors in California. Her specialty is finding, recognizing and collecting new artistic talent. Andy Warhol, Robert Raushenberg, Ed Rusha, Wallace Berman, George Herms, are a few of the artists she was among the first to collect. She has loaned to many museum exhibitions over the years, and her collection has been shown at Scripts College, USC, and CSULA galleries. She has served (1991-1994) as a trustee of the Laguna Beach Museum of Art. While a resident of the San Fernando Valley for many years, she has lent art to exhibitions in the college Art Gallery, as well as being a frequent LAVC gallery visitor."
From the exhibition brochure: "Diana has loaned artworks to many museum exhibitions, and selections from her collection have been shown in the art galleries at California State University, Los Angeles (1969), Scripps College (1972), and USC (1985). She was named a leading Los Angeles art collector by the San Francisco Museum of Art in 1976. Since 1972, she has published Newsletter on the Arts. She is a longtime supporter of the Art Gallery at Los Angeles Valley Collge, and she is a member of the college's Arts Council."
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What: Perfect with Pixel - An international exhibition that focuses on works that are done by integrating digital with traditional art-making methods.
Curator: Shaurya Kumar, Assistant Professor (2D Digital Hybrids)
Bowling Green State University
When: September 9 - October 5, 2008
Where: Dorothy Uber Bryan Gallery at Bowling Green State University,
School of Art, Bowling Green, Ohio
From the exhibition brochure: "Diana has loaned artworks to many museum exhibitions, and selections from her collection have been shown in the art galleries at California State University, Los Angeles (1969), Scripps College (1972), and USC (1985). She was named a leading Los Angeles art collector by the San Francisco Museum of Art in 1976. Since 1972, she has published Newsletter on the Arts. She is a longtime supporter of the Art Gallery at Los Angeles Valley Collge, and she is a member of the college's Arts Council."
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What: Perfect with Pixel - An international exhibition that focuses on works that are done by integrating digital with traditional art-making methods.
Curator: Shaurya Kumar, Assistant Professor (2D Digital Hybrids)
Bowling Green State University
When: September 9 - October 5, 2008
Where: Dorothy Uber Bryan Gallery at Bowling Green State University,
School of Art, Bowling Green, Ohio
Ms. Lambert is one of eleven artists in a global competition accepted into
LACDA's (Los Angeles Center for Digital Art) December 2007 competition. This work was shown in the DigitalArt LA International New Media Expo in Downtown Los Angeles in conjunction with: Downtown Art Walk and Film Festival - Los Angeles SIGGRAPH.
The jurors:
Rex Bruce, Artist, Curator, Director L.A. Center for Digital Art
Howard Fox, Curator of Contemporary Art, L.A. County Museum of Art (LACMA)
Peter Frank, Senior Curator, Riverside Art Museum, L.A. Weekly Critic
August 14- September 6, 2008
"Mindscapes" Joseph De Mario, curator 2008
BAE (Bakery Art Exhibitions) @ The Jazz Bakery
March 29 - May 23, 2008